SUMMARY
Designed by Kyla Arsadjaja, this publication features writing by Sasamoto, curator Lydia Bell, scholar Rachel Valinsky, and an intimate conversation between Sasamoto and choreographer Ishmael Houston-Jones. Valinsky’s essay, “To the Limit,” explores how Sasamoto uses “the motif of the limit across forms and containers,” tracing the origins of Phase Transition to previous works exploring scientific notions of change states, hypothesis, and flexibility. The conversation with Houston-Jones delves into Sasamoto’s early influence in dance improvisation, especially as a dancer in the work of Yvonne Meier. The publication also features a series of photographs of Phase Transition in development by artist Ben Hagari.
Aki Sasamoto: Phase Transition is published by Danspace Project on the occasion of Sasamoto’s performance installation, Phase Transition, presented by Danspace Project, January 9-18, 2020.