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Aki Sasamoto: Phase Transition
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watt # 3
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O-Ton Pina Bausch: Interviews und Reden
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SUTRA
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Contact Improvisation at 36
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The Pina Bausch Sourcebook – The Making of Tanztheater
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Rétrospective by Xavier Le Roy
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New York Studio Conversations (Part II)
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Imaginative Bodies: Dialogues in Performance Practices
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everybodys self interviews
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About improvisation
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watt # 2
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watt # 1
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Spacescapes – Danse & Dessin depuis 1962
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Avignon 1968 et le Living Theatre
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Carnets d’une chorégraphe: Fase, Rosas danst Rosas, Elena’s Aria, Bartók
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Rrose to the occasion
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Rire et se taire – sur Marcel Duchamp
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Art, or Listen to the silence
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Costumes de cirque
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La danse américaine
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Imagine a body dancing
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Ce que le sida m’a fait – Art et activisme à la fin du XXe siècle
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Kazuo Ohno in conversastion at 86
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Pour les oiseaux
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Bandoneon: Working with Pina Bausch
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Danse/cinéma
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Françoise Adret, soixante années de danse
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Force of Nature
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Sidi Larbi Cherkaoui: rencontres
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Ars memoriae / Je suis vu je ne me vois pas
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Grimaces du réel – Latifa Laâbissi
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WHO CARES? Dance in the Gallery & Museum
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Interviewer la performance
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Merce Cunningham – Chorégraphier pour la caméra
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Histoire(s) et lectures: Trisha Brown & Emmanuelle Huynh
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oh, tongue
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On the Edge / Créateurs de l’Imprévu – Nouvelles de Danse 32/33
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Conversing with Cage
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TRISHA BROWN: 1966-1979
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