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Iris, Alexandra, Mariela, Katerina et moi
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P.A.R.T.S: 20 years – 50 portraits
34,50
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Mourning Sex – Performing Public Memories
35,00
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In-Between Dance Cultures
19,90
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Footnotes: six choreographers inscribe the page
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Everything You Always Wanted to Know About Curating* *But Were Afraid to Ask
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The Last Art College – Nova Scotia College of Art and Design, 1968-1978
57,00
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Violin Phase – Anne Teresa de Keersmaeker NY 2011
19,95
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Performance Art: Life of the Archive and Topicality
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CQ-volume41#1
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Inhereting dance
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Rehearsing Collectivity
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anatomie sade/wittgenstein
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Yvonne Rainer: the mind is a muscle
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Unbuttoned Sleeves
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The Senses in Performance
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Site-Specific Art: Performance, Place and Documentation
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The Transformative Power of Performance: A new aesthetics
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Rising Star: Dandyism, Gender, and Performance in the Fin de Siècle
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Reworking the Ballet: Counter Narratives and Alternative Bodies
31,00
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Reading Dancing: Bodies and Subject in Contemporary American Dance
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Converging Movements: Modern Dance and Jewish Culture at the 92nd Street Y
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Merce Cunningham: The Modernizing of Modern Dance
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Documenta 12 Education II – Between Critical Practice and Visitor Services
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The Scar of Visibility: Medical Performances and Contemporary Art
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Understanding Disability Studies and Performance Studies
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Marina Abramovi?
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rubberbodies – a trajectory of an artist collective in Malta
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Modern Gestures – Abraham Walkowitz Draws Isadora Duncan Dancing
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The Citizen Audience – Crowds, Publics, and Individuals
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Everynight Life: Culture and Dance in Latin/o America
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The Body and Everyday Life
31,00
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IDEA in ACTION
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Merce Cunningham Dance Company: Robert Rauschenberg Collaborations
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Rudolf Laban
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Dancing Archives Archive Dances
32,80
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Moving without a Body – Digital Philosophy and Choreographic Thoughts
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Gob Squad and the Impossible Attempt To Make Sense of It All
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Tanzmedizin – Anatomische Grundlagen und gesunde Bewegung
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Extremum – Reflections on the work of Yasmeen Godder
14,00
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