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39 Microlectures – in proximity of performance
30,00
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591 – Spécial performance
18,00
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A Body in Fukushima
35,00
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A Hand’s Turn
23,00
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A Widening Field: journeys in body and imagination
29,00
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ABECEDARIUM BESTIARIUM – Portraits of affinities in animal metaphors
19,00
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Alternative Histories – New York Art Spaces, 1960-2010
42,00
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Anatomie du Tomason
26,00
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Anita Berber – Studie
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Another Ghost Party
34,00
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Appendix #1 – The gesture of writing
15,00
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Appendix #4 – Translation / Appendice #4 – Traduction
15,00
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Archaeologies of Presence – Art, Performance and the Persistence of Being
35,00
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Art performance, manœuvre, coefficients de visibilité
20,00
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Artificial Hells: Participatory Art and the Politics of Spectatorship
32,00
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Artist at Work, Proximity of Art and Capitalism
21,00
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Artist, Audeience, Accomplice
27,00
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Assign & Arrange – Methodologies of Presentation in Art and Dance
19,00
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Being Watched: Yvonne Rainer and the 1960s
23,00
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Between Zones/Zwischenzonen
32,00
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Bewegungen zwischen Hören und Sehen – Denkbewegungen über Bewegungskünste
49,80
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Big Tail Elephant – Build and Resist
35,00
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Biographical Landscapes of New Zagreb
12,00
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Black Hyperbox
16,00
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Black Performance Theory
29,00
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Body and Performance
18,00
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CANCER CANCER CANCER CANCER CANCER
20,00
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Charlemagne Palestine – Gesammttkkunnstt MeshuggahhLaandttttt
24,00
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Choreographing Problems: Expressive Concepts in European Contemporary Dance and Performance
54,00
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Christophe
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Concordan(s)e 4
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Corps endormis corps affranchis
20,00
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Critique d’art n°47 – automne/hiver 2016
16,00
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Critique d’art n°52 – printemps/été 2019
16,00
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CritiQueer la danse – Réceptions performées & critiques affectées
24,00
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Crossing Lines – Contact Areas of Art
24,90
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Danser, résister
35,00
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De(s)faire – #1 à #5
14,00
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Démosthène Agrafiotis – Prolégomènes à une histoire de la performance en Grèce
24,00
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Des Corps compétents (Sportifs, Artistes, Burlesques)
14,00
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