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what remains and is to come – a document
20,00
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1961-2011: 50 Jahre Tanzausbildung
8,00
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Site-Specific Art: Performance, Place and Documentation
39,00
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The Male Dancer: Bodies, Spectacle and Sexuality
33,00
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Wisdom of the Body Moving: An Introduction to Body-Mind Centering®
26,00
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A Kinesthetic Legacy: The Life and Works of Barbara Clark
54,00
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Merce Cunningham: The Modernizing of Modern Dance
36,00
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ROBERT WHITMAN: Performance from the 1960s
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TRISHA BROWN: 1966-1979
40,00
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Variations VII by John Cage
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Body and Earth: An Experiential Guide
34,00
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Barton Mumaw, Dancer: From Denishaw to Jacob’s Pillow and Beyond
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Writing Dancing in the Age of Postmodernism
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Contact Quarterly/Volume 32#2
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Contact Quarterly/Volume 22 #2
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Contact Quarterly/Volume 16 #1
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The Transformative Power of Performance: A new aesthetics
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Performance: Positionen zur zeitgenössischen szenischen Kunst
25,80
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Conversing with Cage
37,00
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Steve Paxton: Material For the Spine, a movement study/une étude du mouvement
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RIRE LAUGH LACHEN
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Parables for the Virtual – Movement, Affect, Sensation
30,00
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On the Edge / Créateurs de l’Imprévu – Nouvelles de Danse 32/33
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The Scar of Visibility: Medical Performances and Contemporary Art
37,00
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Merce Cunningham Dance Company: Split Sides
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Action in Perception
34,00
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Simone Forti – An Evening of Dance Constructions
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Are we here yet?
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Mary Wigman
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Valentine
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Choreographing Empathy – Kinesthesia in Performance
40,00
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Artistic Citizenship – a Public Voice for the Arts
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Social Works – Performing Art, Supporting Publics
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William Forsythe and the Practice of Choreography – It Starts from Any Point
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Violin Phase – Anne Teresa de Keersmaeker NY 2011
19,95
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TALES OF THE BODILESS
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Merce Cunningham Dance Company: Robert Rauschenberg Collaborations
60,00
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Bone, Breath, and Gesture – Practices of Embodiment
26,00
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Worlding Dance
27,00
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The Connected Body?
15,00
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