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Body Voice Imagination: ImageWork Training and the Chekhov Technique
28,00
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Contact Quarterly/Volume 41 #2
16,00
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The Ethics of Art – Ecological Turns in the Performing Arts
22,90
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Soft Is Fast – Simone Forti in the 1960s and After
37,00
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Suspense – William Forsythe
39,00
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Dance Techniques 2010 – Tanzplan Germany. 2 DVDs
25,60
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Force of Nature
25,60
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Turn Your F^*king Head – Deborah Hay’s Solo Performance Commissioning Project
68,00
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WILHELM GROENER – aber auch 2013-2015
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Are 100 objects enough to represent the dance? Zur Archivierbarkeit von Tanz
29,00
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39 Microlectures – in proximity of performance
30,00
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A Choreographer’s Hanbook
28,00
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Anna Halprin
22,00
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Anna Halprin: Experience as Dance
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Archaeologies of Presence – Art, Performance and the Persistence of Being
35,00
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Art and Revolution: Transversal Activism in the Long Twentieth Century
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Artist at Work, Proximity of Art and Capitalism
21,00
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Before the Future / Nothing Else / If It Is As If It
28,00
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British Dance: Black Routes
31,00
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Caught Falling
45,00
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Renate quitte le pays
39,00
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Walk, Hands, Eyes (a city)
20,00
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Critique d’art n°47 – automne/hiver 2016
16,00
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Contact Quarterly – chapbook 4 summer/fall 2013 vol. 38 no. 2
9,00
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Cassini & Other Minor Gods
7,50
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Bandoneon: Working with Pina Bausch
21,00
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Choreographing the day – Leaving the night alone
22,00
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One Place after Another – Site-Specific Art and Locational Identity
23,00
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Interrupting the City – Artistic Constitutions of the Public Sphere
19,90
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Teaching Art in the Neoliberal Realm – Realism versus Cynicism
19,90
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Words Without Music – A Memoir
14,00
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La méthode somatique expressive de François Delsarte
29,00
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Hidden Body – The World of Kazuo Ohno
25,00
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Kazuo Ohno 1906-2010: Chronicle of a Lifetime
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In the Spirit of Diaghilev
23,00
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How to Collaborate? – Questioning Togetherness in the Performing Arts
18,00
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material / rearranged / to / be
14,00
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Performance Studies: An Introduction
46,00
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Performed Imaginaries
35,00
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Radical Bodies
42,00
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