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Charles Atlas
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An Autobiographical Statement
6,50
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Merce Cunningham: A Pictures Book for John Cage Xmas 1984
20,00
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Critique d’art n°52 – printemps/été 2019
16,00
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Not Not Nothing
15,00
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Projet Phalanstère au CAC Brétigny
25,00
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What Animals Teach Us about Politics
23,00
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Autobiographie
6,50
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a Dance Mag – Furor
12,00
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Dancing Age(ing)
29,99
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Dancers, Buildings and People in the Streets
44,00
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Diary of an Image
20,00
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Dance as Text- Ideologies of the Baroque Body
39,00
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Body Madness – Absurdity, wit, rhythm, humor
16,00
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Beyond Speech Pornography and Analytic Feminist Philosophy
43,00
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Contact Quarterly/Volume 42 #2
14,00
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Critique d’art n°49 – automne/hiver 2017
16,00
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A different way to move : minimalismes, New York, 1960-1980
49,00
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A Body in Places
24,00
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Lost & Found: Dance, New York, HIV/AIDS, Then and Now
32,00
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Imagine a body dancing
20,00
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A Hand’s Turn
23,00
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Uchronia – duplicate > do not create, infiltrate > do not exhibit, exceed >
19,00
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Cartes et lignes d’erre/Maps and Wander Lines – Fernand Deligny, 1969-1979
60,00
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Queer Dance – Meanings & Makings
54,00
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Screendance – Inscribing the Ephemeral Image
29,00
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Transmission in Motion – The Technologizing of Dance
34,00
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The New Existentialism
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The Concrete Body – Yvonne Rainer, Carolee Schneemann, Vito Acconci
58,00
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Critique d’art n°48 – printemps/été 2017
16,00
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Radical Bodies
42,00
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Performed Imaginaries
35,00
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Performance Studies: An Introduction
46,00
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material / rearranged / to / be
14,00
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How to Collaborate? – Questioning Togetherness in the Performing Arts
18,00
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In the Spirit of Diaghilev
23,00
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Kazuo Ohno 1906-2010: Chronicle of a Lifetime
13,00
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Hidden Body – The World of Kazuo Ohno
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La méthode somatique expressive de François Delsarte
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Words Without Music – A Memoir
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Teaching Art in the Neoliberal Realm – Realism versus Cynicism
19,90
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Interrupting the City – Artistic Constitutions of the Public Sphere
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One Place after Another – Site-Specific Art and Locational Identity
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Choreographing the day – Leaving the night alone
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Bandoneon: Working with Pina Bausch
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Cassini & Other Minor Gods
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Contact Quarterly – chapbook 4 summer/fall 2013 vol. 38 no. 2
9,00
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Critique d’art n°47 – automne/hiver 2016
16,00
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Walk, Hands, Eyes (a city)
20,00
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Renate quitte le pays
39,00
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Caught Falling
45,00
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British Dance: Black Routes
31,00
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Before the Future / Nothing Else / If It Is As If It
28,00
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Artist at Work, Proximity of Art and Capitalism
21,00
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Art and Revolution: Transversal Activism in the Long Twentieth Century
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Archaeologies of Presence – Art, Performance and the Persistence of Being
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Anna Halprin: Experience as Dance
30,00
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Anna Halprin
22,00
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A Choreographer’s Hanbook
28,00
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39 Microlectures – in proximity of performance
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Dance Techniques 2010 – Tanzplan Germany. 2 DVDs
25,60
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Force of Nature
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Turn Your F^*king Head – Deborah Hay’s Solo Performance Commissioning Project
68,00
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WILHELM GROENER – aber auch 2013-2015
8,95
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Are 100 objects enough to represent the dance? Zur Archivierbarkeit von Tanz
29,00
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Body Voice Imagination: ImageWork Training and the Chekhov Technique
28,00
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Contact Quarterly/Volume 41 #2
16,00
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The Ethics of Art – Ecological Turns in the Performing Arts
22,90
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Soft Is Fast – Simone Forti in the 1960s and After
37,00
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Suspense – William Forsythe
39,00
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Anne Teresa De Keersmaeker – Work/Travail/Arbeid
47,00
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Spectaculinaire
12,00
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Contact Quarterly/Volume 40 #1
15,00
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Contact Quarterly/Volume 41 #1
15,00
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Using the Sky – a dance
23,00
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This Very Moment – teaching thinking dancing
54,00
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Composing Differences
20,00
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The Time We Share – Reflecting on and through Performing Arts
45,00
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Bauhaus Construct – Fashioning Identity, Discourse and Modernism
32,00
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Bauhaus Dream-house – Modernity and Globalization
30,00
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