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Critique d’art n°54 – printemps/été 2020-Spring/Summer 2020
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Critique d’art n°55 – automne/hiver 2020
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Critique d’art n°56 : printemps/été – Spring/Summer 2021
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Black Hyperbox
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Impasse
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Put oneself in the place of the other
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Cerebrum, Maker of realities
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Artforum n° 61-09 – the screen age – art and video
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Move into Life – A Box of Cards
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Perpetual Slavery
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Post-performance future method/e
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New Book
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To enter the forest
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I get lost – Danspace Project’s Platform 2010
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Perception Frames – choreographic scores for practice and performance
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Free Jazz Communism
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Questionology – Are you here ?
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Art and Revolution: Transversal Activism in the Long Twentieth Century
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How to Collaborate? – Questioning Togetherness in the Performing Arts
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Upside Down – autour around
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Body and Performance
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The Pattern: a fictioning
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Fields
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Contemporary dance in India today – La danse contemporaine aujourd’hui en Inde
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Uncollected Texts
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Assign & Arrange – Methodologies of Presentation in Art and Dance
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pARTnering documentation: approaching dance. heritage. culture
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ABECEDARIUM BESTIARIUM – Portraits of affinities in animal metaphors
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La Ribot
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Uchronia – duplicate > do not create, infiltrate > do not exhibit, exceed >
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Contact Quarterly/Volume 45 #1
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Interrupting the City – Artistic Constitutions of the Public Sphere
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Teaching Art in the Neoliberal Realm – Realism versus Cynicism
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The Future of the New – Artistic Innovation in Times of Social Acceleration
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Violin Phase – Anne Teresa de Keersmaeker NY 2011
19,95
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Composing Differences
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Barton Mumaw, Dancer: From Denishaw to Jacob’s Pillow and Beyond
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what remains and is to come – a document
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Walk, Hands, Eyes (a city)
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The New Existentialism
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