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what remains and is to come – a document
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1961-2011: 50 Jahre Tanzausbildung
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Corporellement 2
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TRANSFABRIK – France/Allemagne
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Cartographies: projet d’interventions chorégraphiques en paysages urbains
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Was der Körper zu erzählen hat Expressive Arts Therapy in Theorie und Praxis
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Gestes de terre et la danse
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Balises n° 3
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Daniel Larrieu: Memento 1982 – 2012
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Psychomotricité
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Rodéo – revue n°3 (face A)
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Femmes, attitudes performatives, aux lisières de la performance et de la danse
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Site-Specific Art: Performance, Place and Documentation
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The Male Dancer: Bodies, Spectacle and Sexuality
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Wisdom of the Body Moving: An Introduction to Body-Mind Centering®
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A Kinesthetic Legacy: The Life and Works of Barbara Clark
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Merce Cunningham: The Modernizing of Modern Dance
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ROBERT WHITMAN: Performance from the 1960s
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TRISHA BROWN: 1966-1979
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Variations VII by John Cage
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Les Tombeaux de Josef Nadj
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Manuel en Mouvement – Nouvelles de Danse 44/45
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Sentir, Ressentir et Agir – Nouvelles de Danse 50
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Tanz, Palucca
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Body and Earth: An Experiential Guide
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Barton Mumaw, Dancer: From Denishaw to Jacob’s Pillow and Beyond
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Writing Dancing in the Age of Postmodernism
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Contact Quarterly/Volume 32#2
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Contact Quarterly/Volume 22 #2
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Contact Quarterly/Volume 16 #1
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Ma vie et la danse
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In aller Freiheit
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The Transformative Power of Performance: A new aesthetics
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Performance: Positionen zur zeitgenössischen szenischen Kunst
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Conversing with Cage
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Steve Paxton: Material For the Spine, a movement study/une étude du mouvement
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RIRE LAUGH LACHEN
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Parables for the Virtual – Movement, Affect, Sensation
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On the Edge / Créateurs de l’Imprévu – Nouvelles de Danse 32/33
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The Scar of Visibility: Medical Performances and Contemporary Art
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Merce Cunningham Dance Company: Split Sides
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Action in Perception
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Simone Forti – An Evening of Dance Constructions
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Danses noires/blanche Amérique
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oh, tongue
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Être ensemble: figures de la communauté en danse depuis le XXe siècle
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Robyn Orlin: fantaisiste rebelle
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Dominique Bagouet, un labyrinthe dansé
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Are we here yet?
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Mary Wigman
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Valentine
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Choreographing Empathy – Kinesthesia in Performance
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Artistic Citizenship – a Public Voice for the Arts
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Mouvements de Vie
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Tanzforschung & Ausbildung
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Cultural Studies
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Die politische Differenz
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Gegenwelten – Zwischen Differenz und Reflexion
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Kunstvermittlung 2
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Social Works – Performing Art, Supporting Publics
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William Forsythe and the Practice of Choreography – It Starts from Any Point
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Violin Phase – Anne Teresa de Keersmaeker NY 2011
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TALES OF THE BODILESS
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De l’une à l’autre – Composer, apprendre et partager en mouvements
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Danse et Architecture/collection Nouvelles de Danse 42/43
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Danses Tracées – Dessins et Notations des Chorégraphes
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Le Rythme Primordial et Souverain
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DanceLab Zeitgenössischer Tanz und Neue Technologien
26,50
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Klang zu Gang – Gedanken zur Musik in heutigen Theaterformen
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Szenen des Vorhangs – Schnittflächen der Künste
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Merce Cunningham Dance Company: Robert Rauschenberg Collaborations
60,00
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Bone, Breath, and Gesture – Practices of Embodiment
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Worlding Dance
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The Connected Body?
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Alternative Histories – New York Art Spaces, 1960-2010
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Bewegungen zwischen Hören und Sehen – Denkbewegungen über Bewegungskünste
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Artificial Hells: Participatory Art and the Politics of Spectatorship
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Passion – Last Stop Kinshasa
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A Choreographic Mind: Autobodygraphical Writings
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Le corps pensant
28,00
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