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what remains and is to come – a document
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1961-2011: 50 Jahre Tanzausbildung
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Corporellement 2
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TRANSFABRIK – France/Allemagne
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Cartographies: projet d’interventions chorégraphiques en paysages urbains
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Was der Körper zu erzählen hat Expressive Arts Therapy in Theorie und Praxis
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Gestes de terre et la danse
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Balises n° 3
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Daniel Larrieu: Memento 1982 – 2012
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Psychomotricité
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Rodéo – revue n°3 (face A)
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Femmes, attitudes performatives, aux lisières de la performance et de la danse
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Site-Specific Art: Performance, Place and Documentation
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The Male Dancer: Bodies, Spectacle and Sexuality
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Wisdom of the Body Moving: An Introduction to Body-Mind Centering®
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A Kinesthetic Legacy: The Life and Works of Barbara Clark
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Merce Cunningham: The Modernizing of Modern Dance
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ROBERT WHITMAN: Performance from the 1960s
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TRISHA BROWN: 1966-1979
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Variations VII by John Cage
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Les Tombeaux de Josef Nadj
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Manuel en Mouvement – Nouvelles de Danse 44/45
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Sentir, Ressentir et Agir – Nouvelles de Danse 50
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Tanz, Palucca
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Body and Earth: An Experiential Guide
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Barton Mumaw, Dancer: From Denishaw to Jacob’s Pillow and Beyond
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Writing Dancing in the Age of Postmodernism
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Contact Quarterly/Volume 32#2
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Contact Quarterly/Volume 22 #2
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Contact Quarterly/Volume 16 #1
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Ma vie et la danse
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In aller Freiheit
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The Transformative Power of Performance: A new aesthetics
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Performance: Positionen zur zeitgenössischen szenischen Kunst
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Conversing with Cage
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Steve Paxton: Material For the Spine, a movement study/une étude du mouvement
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RIRE LAUGH LACHEN
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Parables for the Virtual – Movement, Affect, Sensation
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On the Edge / Créateurs de l’Imprévu – Nouvelles de Danse 32/33
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The Scar of Visibility: Medical Performances and Contemporary Art
37,00
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