SUMMARY
3 Editor Notes – Haunting CQ / Melinda Buckwalter – Intersecting trailheads in CQ / Meredith Bove
4 Letters/Comments
6 Shelf Life—publications received
10 Transitions – Marsha Paludan (1941-2018)
by Marsha Paludan, Robin Gilmore, and Jacques van Eijden
15 NOTES FOR A LECTURE: Body as Archive – Regarding the Persistent Essential Friction of Gesture, Attention, and Memory, by Bebe Miller
20 Under Seeing – An Approach to Feeling and Sensing Performance. Experiencing works by the BodyCartography Project by Olive Bieringa, Margit Galanter, Justin Jones, Arwen Wilder, and Asher Edes
28 The Dance of Description – Evolution of a Form, by Christina Svane
32 Differences – Creating a Cultural Shift toward Embedded Access and Artistry plus: an excerpt from The Way You Look (at me) Tonight Accessibility Handbook, by Claire Cunningham, Jess Curtis, and Luke Pell
38 Commonalities & Distinctions – Body-Mind Centering® & Contact Improvisation
interview with Otto Ramstad by Grégory Chevalier
43 CI Newsletter—Contact Improvisation news & views
44 Essentials—Basic CI Principles & Practices – How to ParLAY the Dance, by mayfield brooks
46 Still Moving—Contact Improvisation shoptalk & dialogue
46 How the First Rule Brought #MeToo to Contact Improvisation, by Michele Beaulieux
50 #MeToo DISRUPTION at the 2018 West Coast Contact Improvisation Jam by Cookie Harrist
51 Comments on online CI articles
53 Thank You and Sorry – Framing Goodwill and Self-Awareness, by Amii LeGendre
72 Dance Map Directory—contemporary dance & improvisation resources worldwide
76 Composition – a comment from Steve Paxton