SUMMARY
This text finds the intimate affinity between dance and philosophy in the concept of problem and invites the reader to perceive dance and philosophy as a form of ballistics: the art of throwing. On one hand, this text is an invitation to look at dance not necessarily as an artistic practice but rather as an affirmative force that manifests itself as an expression of the power to turn any domain into a dance floor. On the other hand, this text also understands philosophy as an invitation to dance a problem, or, in other words, philosophy is a practice of choreographing the trajectories of problems.
