RÉSUMÉ
Contents
5 CQ FOLIO 3
WELCOME TO CHOREOMUNDUS, curated by Melinda Buckwalter and Deborah Williams
6 Curator Notes
7 The Choreomundus International Master
Dance Knowledge, Practice, and Heritage, text from the Choreomundus website arranged, by Deborah Williams
9 Warrior Body/Open Heart – A Dance of Cheongsong’s Immigrant Wives, by María Peredo Guzmán
13 Embodied Research of the Invisible Regulations in the Gaga Community and in Its Movement System
About the Nature of a Semi-Inscribing Dance Practice, by Kinga Szemessy
17 Everyday Infinities – The Micro-Politics of Being Affected at the Wagah-Attari Border, by Urvi Vora
21 Reimagining, Reclaiming, and Continuity
Traditional Masquerade in Trinidadian Society, by Kim-Lee Campbell
25 The Black Dancing Body as a Measure of Culture
a performative lecture, by Brenda Dixon Gottschild
32 Rage, Walk, Rise, by Alexx Shilling with Alison D’Amato
34 CONTACT IMPROVISATION INTERSECTIONS
34 Frictions and Illuminations, by Nancy Stark Smith
35 On CI Intersections
A Question from CQ, and a Round of Responses
by Keith Hennessy, Ann Cooper Albright, Geneviève Cron-Riger, Daniela Schwartz, Kent Alexander, Zach Arfa, Taja Will, Kathleen Rea, and mayfield brooks
40 Touch&Play – a bit of history and perspective, by Daniel Hayes
41 What Is a CI “Purist”?
a Facebook thread from the CI Facilitators Worldwide Network & Discussion Group, initiated by Colleen Bartley
62 Dance Map Directory—a dancer’s guide to resources worldwide
67 An Intimate Eye into the Edge
photographic essay, by Anna M. Maynard