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Projet de la Matière – Odile Duboc : mémoire(s) d’une œuvre chorégraphique
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On va où, là?
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Figé, émoussé, la tête vide
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39 Microlectures – in proximity of performance
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Anna Halprin: Experience as Dance
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Pina au rythme des oracles/Pina in the rhythm of oracles
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Steve Paxton – Drafting Interior Techniques
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Love, Icebox – Letters from John Cage to Merce Cunningham
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Dancing Deeper Still – The Practice of Contact Improvisation
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Re: – Towards a minor history of exhibitions and performances
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Sweets, Quilts, Sun, Works
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The Choreographic
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Thought in the Act – Passages in the Ecology of Experience
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Contact Improvisation at 36
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Anne Teresa De Keersmaeker – Early Works
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Paulo Nimer Pjota
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Rejouer le vivant – Les reenactments, des pratiques culturelles et artistiques (in)actuelles
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¡Presente! – The Politics of Presence
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Drumming
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Andrea Geyer: Dance in a Future with All Present
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Manuel d’émersiologie – Apprends le langage du corps
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For a Pragmatics of the Useless
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Back to the Dance Itself – Phenomenologies of the Body in Performance
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Walking from Scores
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Carnet de salles – Écrits pour la danse
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Exploring Body-Mind Centering – An Anthology of Experience and Method
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Remembering a Dance – Part of Some Sextets 1965/2019
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On Site – Methods for Site-Specific Performance Creation
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Moving Between Worlds – A Guide to Embodied Living and Communicating
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Symmetry, Alibis & Intuition: An Inventory of Choreographic Choices
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Movement Notation
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Apprendre à voir – Le point de vue du vivant
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Black Chapel – Theaster gates
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La part de l’œil nr. 24 – Ce qui fait danse : de la plasticité à la performance
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The Body and Everyday Life
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Reworking the Ballet: Counter Narratives and Alternative Bodies
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Attending to Movement – Somatic Perspectives on Living in this World
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Nature Performed: Environment, Culture and Performance
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Rethinking Dance History: A Reader
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British Dance: Black Routes
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