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Contemporary Circus
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Engaging Bodies
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Imagining for Real – Essays on Creation, Attention and Correspondence
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The Artist Job Description, for the Employment of the Artist, as an Artist, Inside the Art Institution
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The Perception of the Environment – Essays on Livelihood, Dwelling and Skill
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Entre pratiques de corps et gestes créatifs – Les chœurs de mouvements Laban (Allemagne, 1923-1936)
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Let’s Become Fungal! – Mycelium Teachings and the Arts
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Corpo do Mundo
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Denkfiguren – Performatives zwischen Bewegen, Schreiben und Erfinden : Für Claudia Jeschke
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Social Works – Performing Art, Supporting Publics
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Action in Perception
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Body and Earth: An Experiential Guide
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Yes? No! Maybe Seductive Ambiguity in Dance
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A Queer History of the Ballet
34,00
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Transmission in Motion – The Technologizing of Dance
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Performed Ethnography and Communication – Improvisation and Embodied Experience
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Choreography, Visual Art and Experimental Composition 1950s–1970s
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Going Out – Walking, Listening, Soundmaking
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Another Ghost Party
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Meeting the Universe Halfway – Quantum Physics and the Entanglement of Matter and Meaning
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P.A.R.T.S: 20 years – 50 portraits
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Tanzmedizin – Anatomische Grundlagen und gesunde Bewegung
34,95
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Körper als Archiv in Bewegung – Choreografie als historiografische Praxis
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Choreografische Praxis – Vermittlung in Tanzkunst und Kultureller Bildung
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Violette Verdy
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Danses Tracées – Dessins et Notations des Chorégraphes
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Are we here yet?
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Exhausting Dance: Performance and the Politics of Movement
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Continuous Replay – The Photographs of Arnie Zane
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Mourning Sex – Performing Public Memories
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Archaeologies of Presence – Art, Performance and the Persistence of Being
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L’éveil des modernités – une histoire culturelle de la danse (1870-1945)
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Repères, cahier de danse : étui 5 – n°31 à 37
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Kazuo Ohno in conversastion at 86
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Performed Imaginaries
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Le corps est-il soluble dans l’écrit?
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Danser, résister
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Daniel Larrieu
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Dance, Modernism, and Modernity
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Film’s Ghosts – Tatsumi Hijikata’s Butoh and the Transmutation of 1960s Japan
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