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13
Contact Quarterly/Volume 8 #3/4
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13,00
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Choreographies of 21st Century Wars
1
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38,00
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Appendix #4 – Translation / Appendice #4 - Traduction
1
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15,00
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Imaginer recommencer - Ce qui nous soulève, 2
1
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28,00
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La danse profonde, de la carcasse à l'extase
1
x
17,00
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Choreography, Visual Art and Experimental Composition 1950s–1970s
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34,00
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L’Œil du vivant Recherche et création ~Danse et photographie
1
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18,00
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Before the Future / Nothing Else / If It Is As If It
1
x
28,00
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Everynight Life: Culture and Dance in Latin/o America
1
x
26,00
€
High Shine
1
x
12,50
€
Critique Is Creative - The Critical Response Process® in Theory and Action
1
x
28,00
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Being a Chair - Essays on Choreographic Poetry
1
x
12,00
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Nacera Belaza - entre deux rives
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18,00
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CQ-volume41#1
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Inhereting dance
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Biographical Landscapes of New Zagreb
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Rehearsing Collectivity
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Danse et spectacle vivant
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Wissen wir, was ein Körper vermag?
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Pina Bausch – Tanztheater
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Dramaturgien des Anfangens
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Die Bauhaus Meister – Weimar. Dessau. Berlin
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Skizzen des verschwindens – theatrale raumproduktionen
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anatomie sade/wittgenstein
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Nahaufnahme: Waltz
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Nahaufnahme: Platel
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Open Score by Robert Rauschenberg (1966)
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Tanz, Palucca
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Variations VII by John Cage
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TRISHA BROWN: 1966-1979
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ROBERT WHITMAN: Performance from the 1960s
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Yvonne Rainer: the mind is a muscle
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Unbuttoned Sleeves
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The Senses in Performance
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Site-Specific Art: Performance, Place and Documentation
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Robyn Orlin: fantaisiste rebelle
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Rising Star: Dandyism, Gender, and Performance in the Fin de Siècle
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Reworking the Ballet: Counter Narratives and Alternative Bodies
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Contact Quarterly/Volume 22 #2
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Contact Quarterly/Volume 32#2
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Reading Dancing: Bodies and Subject in Contemporary American Dance
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Converging Movements: Modern Dance and Jewish Culture at the 92nd Street Y
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Barton Mumaw, Dancer: From Denishaw to Jacob’s Pillow and Beyond
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Body and Earth: An Experiential Guide
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In aller Freiheit
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Les Tombeaux de Josef Nadj
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Merce Cunningham: The Modernizing of Modern Dance
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Kunstvermittlung 2
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Gegenwelten – Zwischen Differenz und Reflexion
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Documenta 12 Education II – Between Critical Practice and Visitor Services
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Action in Perception
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Merce Cunningham Dance Company: Split Sides
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Contact Quarterly/Volume 32#1
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