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Artificial Hells: Participatory Art and the Politics of Spectatorship
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Assign & Arrange – Methodologies of Presentation in Art and Dance
19,00
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A No Can Make Space
70,00
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Maroon Choreography
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Walking
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Appendice #2 – Comment organiser une bibliothèque
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Appendix #2 – How to organize a library
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Embodied Spirit – Conscious Earth
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Meeting the Universe Halfway – Quantum Physics and the Entanglement of Matter and Meaning
34,00
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Critical Moves – Dance Studies in Theory and Politics
27,00
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A history of butô
32,00
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Nature Connection – a handbook of practices for therapy and self-exploration
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Appendix #3 – Orality
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Movement Notation
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Appendix #4 – Translation / Appendice #4 – Traduction
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Character
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Motor Dance Journal – Issue 2: Duets and Dialogues
21,85
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Encounters – Embodied Practices
21,00
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Perpetual Slavery
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Gravity – on vinyl
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On Site – Methods for Site-Specific Performance Creation
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ROT – issue one 2023 : Immunity
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How to Land – Finding Ground in an Unstable World
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All Incomplete
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Work/World
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The Perception of the Environment – Essays on Livelihood, Dwelling and Skill
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The Undercommons – Fugitive Planning & Black Study
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Rebel Angels Cookbook
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Gerard & Kelly – Ruins
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Through the Eyes of a Dancer – Selected Writings
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Exerce, écrits chorégraphiques T.2 – A choreographic lesson for the faint of the heart and poets of the here the now the yet to come
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The Work of Dance – Labor, Movement, and Identity in the 1930s
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The Place of Dance – A Somatic Guide to Dancing and Dance Making
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How to Die – Inopiné
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Certain Things
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Language is a map of failures. Messy thoughts on reading, writing and dressing up
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Put oneself in the place of the other
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Skies
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From Here to Tibet – A conversation between two walking artists. March 2019 – July 2020
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I am a Ghost in My Own House
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It’s Alive! – À travers l’œuvre de Gisèle Vienne
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Dance and the Specific Image – Improvisation
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Performing Remains – Art and War in Times of Theatrical Reenactment
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Impasse
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Back to the Dance Itself – Phenomenologies of the Body in Performance
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Plant-Thinking A Philosophy of Vegetal Life
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Fluxus, Events, Music (1964-2021)
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Marie-Hélène Leblanc, Jennifer Lacey, Lætitia Sadier, Mathieu Copeland – Une exposition mise en scène (carnet d’entretiens + libretto)
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Le soi et le rien
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“If It’s For The People, It Needs To Be Beautiful,” She Said
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L’artiste chercheur – Un rêve américain au prisme de Donald Judd
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La Pocha Nostra – A Handbook for the Rebel Artist in a Post-Democratic Society
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Walking Bodies – Papers, Provocations, Actions
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Butoh – Cradling Empty Space
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Dancing Across Borders – Perspectives on Dance, Young People and Change
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Revisions Essays by Apollo Musagète, Yvonne Rainer, and Others
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Andrea Geyer: Dance in a Future with All Present
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Uncollected Texts
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Engaging Bodies
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In the beginning was a copy
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A Choreographer’s Score – Fase, Rosas dansat Rosas, Elena’s Aria, Bartók
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Trisha Brown – Choreographing Life
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Critique d’art n°55 – automne/hiver 2020
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Afternoons Editions no. 0
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Mousse #72
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Traces in Sight
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DISCORDO ERGO SUM – Renate Bertlmann
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Contact Quarterly/Volume 2 #2
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Contact Quarterly/Volume 3 #3/4
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Contact Quarterly/Volume 4 #3/4
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Contact Quarterly/Volume 7 #1
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Contact Quarterly/Volume 8 #2
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Contact Quarterly/Volume 9 #3
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Contact Quarterly/Volume 11 #1
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Contact Quarterly/Volume 11 #3
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Contact Quarterly/Volume 14 #1
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Contact Quarterly/Volume 21 #2
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Contact Quarterly/Volume 30 #1
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Contact Quarterly/Volume 42 #1
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Pina Bausch – backstage
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Bewegung Lesen. Bewegung Schreiben
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Myths, Bodies and Disability Culture
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Richard Siegal/The Bakery: If/Then Dialogues
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Writings on water – Écrits sur l’eau
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Words for the Future – Undecidability
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Words for the Future – Tense
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Words for the Future – Eco-Swaraj
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Vortex Temporum
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Unpacking Performativity – An exciting two-year research journey in dance
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Ungoverning Dance – Contemporary European Theatre Dance and the Commons
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The Universal Machine
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The Politics of Interweaving Performance Cultures – Beyond Postcolonialism
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The Pina Bausch Sourcebook – The Making of Tanztheater
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The Perfect Spectator – The Experience of the Art Work and Reception Aesthetics
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The Great Nijinsky – God of Dance
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Sweets, Quilts, Sun, Works
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Spectacles (Spectacle #1, #2, #3 and the script of the film Spectacle #4)
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Solo? In Contemporary Dance
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Singularities – Dance in the Age of Performance
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Sharon Lockhart | Noa Eshkol
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RTRSRCH Vol. 2 No. 2 – Notation
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Now Thyself – Remy Charlip (Contact Quarterly Reprints: #5)
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MY BACKGROUND IS NOW – memories and processes of a contemporary dance training
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Moving (Across) Borders – Performing Translation, Intervention, Participation
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Kazuo Ohno’s world: from without & within
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I am Bartleby the scrivener
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I Am a Cat
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Film’s Ghosts – Tatsumi Hijikata’s Butoh and the Transmutation of 1960s Japan
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Dancing Platform Praying Grounds: Blackness, Churches, and Downtown
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Dance, Modernism, and Modernity
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Choosing Gentleness
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Chance
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Cent’ anni di danza: A hundred years of dance
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Boris Charmatz
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Boredom
24,00
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Blowjobs, I like him, my friend is dead
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Betraying Ambition
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Art in Motion / Art en mouvement: Current Research in Screendance / recherches actuelles en cine-danse
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A Love Supreme
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Aki Sasamoto: Phase Transition
12,00
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