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Ralph Lemon
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The Minor Gesture
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To note: Notation across disciplines
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Unpacking Performativity – An exciting two-year research journey in dance
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Donna Huanca – Piedra Quemada
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Black Performance Theory
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Body and Awareness
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JERK – Through their tears
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I am a Ghost in My Own House
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Productive Archiving – Artistic Strategies, Future Memories, and Fluid Identities
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Richard Siegal/The Bakery: If/Then Dialogues
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Dancing Age(ing)
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Bauhaus Dream-house – Modernity and Globalization
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Chorégraphier l’exposition
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Parables for the Virtual – Movement, Affect, Sensation
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39 Microlectures – in proximity of performance
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Anna Halprin: Experience as Dance
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Steve Paxton – Drafting Interior Techniques
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Love, Icebox – Letters from John Cage to Merce Cunningham
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Dancing Deeper Still – The Practice of Contact Improvisation
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Sweets, Quilts, Sun, Works
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The Choreographic
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Thought in the Act – Passages in the Ecology of Experience
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Contact Improvisation at 36
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Paulo Nimer Pjota
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¡Presente! – The Politics of Presence
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Drumming
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Andrea Geyer: Dance in a Future with All Present
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For a Pragmatics of the Useless
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Back to the Dance Itself – Phenomenologies of the Body in Performance
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Walking from Scores
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Exploring Body-Mind Centering – An Anthology of Experience and Method
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Remembering a Dance – Part of Some Sextets 1965/2019
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On Site – Methods for Site-Specific Performance Creation
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Moving Between Worlds – A Guide to Embodied Living and Communicating
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Symmetry, Alibis & Intuition: An Inventory of Choreographic Choices
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Movement Notation
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Black Chapel – Theaster gates
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Dance first think later – Le corps pensant entre danse et arts visuels Vol.1
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La voie négative
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The Body and Everyday Life
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Attending to Movement – Somatic Perspectives on Living in this World
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British Dance: Black Routes
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Black and Blur
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Exercises for Rebel Artists – Radical Performance Pedagogy
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Flowers Cracking Concrete – Eiko & Koma’s Asian/American Choreographies
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Gómez-Peña Unplugged – Texts on Live Art, Social Practice and Imaginary Activism (2008–2020)
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Being Alive – Essays on Movement, Knowledge and Description
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The dream of the audience – Danspace Project’s Platform 2021-2022
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Cabarets of death – Dance, death and dining in early twentieth century Paris
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Yvonne Rainer – Moving And Being Moved
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Bauhaus Construct – Fashioning Identity, Discourse and Modernism
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Between Zones/Zwischenzonen
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Anna Halprin, Dancing Life / Danser la vie
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Artificial Hells: Participatory Art and the Politics of Spectatorship
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BodyStories: A Guide to Experiential Anatomy
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Lost & Found: Dance, New York, HIV/AIDS, Then and Now
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Dancers as Diplomats – American Choreography in Cultural Exchange
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Performing Image
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Couplets – Travels in Speculative Pragmatism
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Noa & Snow
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The Art of Performance – 25 Conversations
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Mycoscores / Choreospores
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A history of butô
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Topless Cellist – The Improbable Life of Charlotte Moorman
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The Male Dancer: Bodies, Spectacle and Sexuality
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Contemporary Circus
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Engaging Bodies
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Imagining for Real – Essays on Creation, Attention and Correspondence
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The Artist Job Description, for the Employment of the Artist, as an Artist, Inside the Art Institution
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The Perception of the Environment – Essays on Livelihood, Dwelling and Skill
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Let’s Become Fungal! – Mycelium Teachings and the Arts
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Denkfiguren – Performatives zwischen Bewegen, Schreiben und Erfinden : Für Claudia Jeschke
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Social Works – Performing Art, Supporting Publics
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Action in Perception
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Body and Earth: An Experiential Guide
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Yes? No! Maybe Seductive Ambiguity in Dance
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Transmission in Motion – The Technologizing of Dance
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Performed Ethnography and Communication – Improvisation and Embodied Experience
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Choreography, Visual Art and Experimental Composition 1950s–1970s
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Going Out – Walking, Listening, Soundmaking
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Another Ghost Party
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Meeting the Universe Halfway – Quantum Physics and the Entanglement of Matter and Meaning
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The ‘Female’ Dancer – a soma-scientific approach
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Writing Choreography – Textualities of and beyond Dance
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Geographies of Us – Ecosomatic Essays and Practice Pages
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Are we here yet?
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Exhausting Dance: Performance and the Politics of Movement
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Continuous Replay – The Photographs of Arnie Zane
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Archaeologies of Presence – Art, Performance and the Persistence of Being
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Performed Imaginaries
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Dance, Modernism, and Modernity
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Film’s Ghosts – Tatsumi Hijikata’s Butoh and the Transmutation of 1960s Japan
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Live Art in L.A
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Moving (Across) Borders – Performing Translation, Intervention, Participation
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Sharon Lockhart | Noa Eshkol
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Stella Geppert – Scores and Sculpture
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Traces of Dance – Drawings and Notations of Choreographers
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Trisha Brown – Choreography as Visual Art
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Valuing Dance – Commodities and Gifts in Motion
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Quantum Society
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A Body in Fukushima
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How to Land – Finding Ground in an Unstable World
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Thinking With – Jean-Luc Nancy
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Big Tail Elephant – Build and Resist
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II Magazine Issue #0 – performance and publishing
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Crépuscule – Anthologie – Poétesses libanaises contemporaines / Dusk – Anthology – Contemporary Lebanese Women Poets
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Merce Cunningham: The Modernizing of Modern Dance
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Alien Bodies: Representations of Modernity, ‘Race’ and Nation in Early Modern Dance
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Choreographing Discourses – A Mark Franko Reader
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Happenings and Other Acts
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Poetics of Dance – Body, Image, and Space in the Historical Avant-Gardes
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Researching War – Feminist Methods, Ethics and Politics
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Performing Remains – Art and War in Times of Theatrical Reenactment
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Ismael Ivo – I Believe in the Body
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Contemporary African Dance Deconstructed
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Conversing with Cage
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The Scar of Visibility: Medical Performances and Contemporary Art
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The Transformative Power of Performance: A new aesthetics
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Dance Discourses: Keywords in Dance Research
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