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Dancing Age(ing)
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Richard Siegal/The Bakery: If/Then Dialogues
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Productive Archiving – Artistic Strategies, Future Memories, and Fluid Identities
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I am a Ghost in My Own House
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JERK – Through their tears
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Body and Awareness
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Black Performance Theory
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Donna Huanca – Piedra Quemada
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Unpacking Performativity – An exciting two-year research journey in dance
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To note: Notation across disciplines
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The Minor Gesture
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Ralph Lemon
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Boris Charmatz
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Screendance – Inscribing the Ephemeral Image
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La méthode somatique expressive de François Delsarte
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Are 100 objects enough to represent the dance? Zur Archivierbarkeit von Tanz
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A Widening Field: journeys in body and imagination
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Skizzen des verschwindens – theatrale raumproduktionen
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Writing Dancing in the Age of Postmodernism
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William Forsythe and the Practice of Choreography – It Starts from Any Point
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Walking
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Toward an Aesthetics of Living Beings
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Reclaiming Art / Reshaping Democracy – The New Patrons & Participatory Art
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Taken by Surprise – A Dance Improvisation Reader
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Silence Lectures and Writings, 50th Anniversary Edition
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‘Lectric Eye
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All Incomplete
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Critique Is Creative – The Critical Response Process® in Theory and Action
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Life on Land – The Story of Continuum
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Isabelle Schad – WITH
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How to Die – Inopiné
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Vivre avec le trouble
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Revisions Essays by Apollo Musagète, Yvonne Rainer, and Others
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The Grand Union – Accidental Anarchists of Downtown Dance, 1970-1976
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The choreographic score: transmission tool, exploration tool
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Dancing Platform Praying Grounds: Blackness, Churches, and Downtown
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Before the Future / Nothing Else / If It Is As If It
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A Choreographer’s Hanbook
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Body Voice Imagination: ImageWork Training and the Chekhov Technique
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Steve Paxton: Material For the Spine, a movement study/une étude du mouvement
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