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À la rencontre de la danse contemporaine, porosités et résistances
28,00
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Poetics of Contemporary Dance
29,00
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Théâtre du Mouvement
29,00
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Inhereting dance
29,99
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Modern Gestures – Abraham Walkowitz Draws Isadora Duncan Dancing
30,00
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Pina Bausch: Dance Theatre
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Converging Movements: Modern Dance and Jewish Culture at the 92nd Street Y
30,00
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The Body and Everyday Life
31,00
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Reworking the Ballet: Counter Narratives and Alternative Bodies
31,00
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Nature Performed: Environment, Culture and Performance
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Rethinking Dance History: A Reader
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The dream of the audience – Danspace Project’s Platform 2021-2022
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The Citizen Audience – Crowds, Publics, and Individuals
32,00
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Inside Motion: An Ideokinetic Basis for Movement Education
32,00
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Relâche – Dernier coup d’éclat des Ballets suédois
32,00
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A history of butô
32,00
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Dancing Archives Archive Dances
32,80
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Topless Cellist – The Improbable Life of Charlotte Moorman
33,00
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Moving without a Body – Digital Philosophy and Choreographic Thoughts
33,00
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Reading Dancing: Bodies and Subject in Contemporary American Dance
33,00
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Corpo do Mundo
34,00
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Yes? No! Maybe Seductive Ambiguity in Dance
34,00
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P.A.R.T.S: 20 years – 50 portraits
34,50
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Tanzmedizin – Anatomische Grundlagen und gesunde Bewegung
34,95
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Mourning Sex – Performing Public Memories
35,00
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Daniel Larrieu
35,00
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Trisha Brown – Choreography as Visual Art
35,00
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Digital Performance
36,00
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Motion and Representation – The Language of Human Movement
36,00
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Merce Cunningham: The Modernizing of Modern Dance
36,00
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Moving Sites – Investigating Site-Specific Dance Performance
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Conversing with Cage
37,00
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The Scar of Visibility: Medical Performances and Contemporary Art
37,00
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The Transformative Power of Performance: A new aesthetics
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Soft Is Fast – Simone Forti in the 1960s and After
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Ulrike Grossarth – Wäre ich von Stoff, ich wu?rde mich färbe
38,00
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Site-Specific Art: Performance, Place and Documentation
39,00
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anatomie sade/wittgenstein
39,00
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Judson Dance Theater: Performative Traces
39,00
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Mémoires et histoires en danse
39,50
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Sensing, Feeling, and Action, 3rd Edition
40,00
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The Senses in Performance
40,00
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Ritual and Event – Interdisciplinary Perspectives
42,00
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The Time We Share – Reflecting on and through Performing Arts
45,00
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This Very Moment – teaching thinking dancing
54,00
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The Last Art College – Nova Scotia College of Art and Design, 1968-1978
57,00
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Portom – support d’exposition de livre
59,00
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Merce Cunningham Dance Company: Robert Rauschenberg Collaborations
60,00
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Turn Your F^*king Head – Deborah Hay’s Solo Performance Commissioning Project
68,00
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Understanding Disability Studies and Performance Studies
85,00
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