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Je suis sur le sol de la chambre
13,00
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Spring Rolle
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Merce Cunningham Dance Company: Robert Rauschenberg Collaborations
60,00
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Contact Quarterly/Volume 36 #1
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Bone, Breath, and Gesture – Practices of Embodiment
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Alternative Histories – New York Art Spaces, 1960-2010
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Bewegungen zwischen Hören und Sehen – Denkbewegungen über Bewegungskünste
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Concordan(s)e 2
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Figures de l’attention – Cinq essais sur la spatialité en danse
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The Body and Everyday Life
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DanceLab Zeitgenössischer Tanz und Neue Technologien
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Contact Quarterly/Volume 35 #2 – chapbook 1
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Danse et Architecture/collection Nouvelles de Danse 42/43
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Social Works – Performing Art, Supporting Publics
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Contact Quarterly/Volume 34 #1
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Contact Quarterly/Volume 34 #2
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Are we here yet?
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Valentine
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Cultural Studies
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Die politische Differenz
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Contact Quarterly/Volume 35 #1
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Klang zu Gang – Gedanken zur Musik in heutigen Theaterformen
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Performance: Positionen zur zeitgenössischen szenischen Kunst
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Contact Quarterly/Volume 33 #1
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The Scar of Visibility: Medical Performances and Contemporary Art
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Contact Quarterly/Volume 32#1
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Merce Cunningham Dance Company: Split Sides
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Action in Perception
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Gegenwelten – Zwischen Differenz und Reflexion
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Kunstvermittlung 2
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In aller Freiheit
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Body and Earth: An Experiential Guide
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Barton Mumaw, Dancer: From Denishaw to Jacob’s Pillow and Beyond
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Contact Quarterly/Volume 32#2
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Contact Quarterly/Volume 22 #2
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The Transformative Power of Performance: A new aesthetics
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Site-Specific Art: Performance, Place and Documentation
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ROBERT WHITMAN: Performance from the 1960s
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TRISHA BROWN: 1966-1979
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Variations VII by John Cage
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