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Christophe
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Words for the Future – Eco-Swaraj
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RTRSRCH Vol. 2 No. 2 – Notation
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The Soft Layer
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Gleaners and the Worms, or: Bookworms and the Worm-book
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WILHELM GROENER – aber auch 2013-2015
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Valentine
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Concordan(s)e 4
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Anita Berber – Studie
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Meredith Monk
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Les grands entretiens : La performance 2 – Dépassements
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Les grands entretiens : La performance 1 – Le corps exposé
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Biographical Landscapes of New Zagreb
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False hours
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Je vomis du nez, le sang bleu de la nuit
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Papier incomestible
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Je suis sur le sol de la chambre
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Des Corps compétents (Sportifs, Artistes, Burlesques)
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material / rearranged / to / be
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De(s)faire – #1 à #5
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Vanelephant
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Manuel en Mouvement – Nouvelles de Danse 44/45
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DISCORDO ERGO SUM – Renate Bertlmann
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Where do you draw the line between art and politics
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Inter n° 137 – Pratiques du silence, du son et de l’oralité
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Entretien avec Esther Ferrer
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Appendix #1 – The gesture of writing
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Appendix #4 – Translation / Appendice #4 – Traduction
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En forêt
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Critique d’art n°47 – automne/hiver 2016
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Critique d’art n°52 – printemps/été 2019
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Black Hyperbox
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Impasse
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Put oneself in the place of the other
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Post-performance future method/e
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Perception Frames – choreographic scores for practice and performance
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Roven n° 10 – Automne-hiver 2013-2014 – Dessin et performance
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Rencontre internationale d’art performance 2012
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How to Collaborate? – Questioning Togetherness in the Performing Arts
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Ex-corpo
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