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Exhausting Dance: Performance and the Politics of Movement
35,00
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Open Score by Robert Rauschenberg (1966)
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Assign & Arrange – Methodologies of Presentation in Art and Dance
19,00
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La performance – Vie de l’archive et actualité
19,00
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In octavo – Des formats de l’art
24,00
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Gestes en éclats – Art, danse et performance
28,00
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Topless Cellist – The Improbable Life of Charlotte Moorman
33,00
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Roven n° 10 – Automne-hiver 2013-2014 – Dessin et performance
18,00
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A Widening Field: journeys in body and imagination
29,00
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On va où, là?
30,00
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Feminine Futures – Valentine de Saint-Point
48,00
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Figé, émoussé, la tête vide
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Charlemagne Palestine – Gesammttkkunnstt MeshuggahhLaandttttt
24,00
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La Ribot
19,00
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Biographical Landscapes of New Zagreb
12,00
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Pornologie vs capitalisme - Le groupe de happening Zero Jigen-Japon 1960-1972
23,00
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Rencontre internationale d’art performance 2012
18,00
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what remains and is to come – a document
20,00
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Femmes, attitudes performatives, aux lisières de la performance et de la danse
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Site-Specific Art: Performance, Place and Documentation
39,00
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Manuel en Mouvement – Nouvelles de Danse 44/45
15,00
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ROBERT WHITMAN: Performance from the 1960s
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Variations VII by John Cage
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The Transformative Power of Performance: A new aesthetics
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Performance: Positionen zur zeitgenössischen szenischen Kunst
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RIRE LAUGH LACHEN
22,00
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On the Edge / Créateurs de l’Imprévu – Nouvelles de Danse 32/33
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The Scar of Visibility: Medical Performances and Contemporary Art
37,00
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Simone Forti – An Evening of Dance Constructions
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Valentine
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Social Works – Performing Art, Supporting Publics
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Violin Phase – Anne Teresa de Keersmaeker NY 2011
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Worlding Dance
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Alternative Histories – New York Art Spaces, 1960-2010
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Bewegungen zwischen Hören und Sehen – Denkbewegungen über Bewegungskünste
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Artificial Hells: Participatory Art and the Politics of Spectatorship
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ABECEDARIUM BESTIARIUM – Portraits of affinities in animal metaphors
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The Body and Everyday Life
31,00
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Des Corps compétents (Sportifs, Artistes, Burlesques)
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Je suis sur le sol de la chambre
13,00
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Interviewer la performance
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Vanelephant
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Recréer / scripter
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Between Zones/Zwischenzonen
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The Time We Share – Reflecting on and through Performing Arts
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Le temps que nous partageons – Réflexions à travers le spectacle vivant
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Concordan(s)e 4
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WILHELM GROENER – aber auch 2013-2015
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Poetik des zeitgenössischen Tanzes
29,80
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39 Microlectures – in proximity of performance
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Archaeologies of Presence – Art, Performance and the Persistence of Being
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Artist at Work, Proximity of Art and Capitalism
21,00
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Being Watched: Yvonne Rainer and the 1960s
23,00
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La performance, encore
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Walk, Hands, Eyes (a city)
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Superamas – BIG 3 EPISODES (art discourse)
28,00
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Critique d’art n°47 – automne/hiver 2016
16,00
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Anita Berber – Studie
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Sarah Michelson
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How to Collaborate? – Questioning Togetherness in the Performing Arts
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material / rearranged / to / be
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Performance Studies: An Introduction
46,00
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Performed Imaginaries
35,00
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The Concrete Body – Yvonne Rainer, Carolee Schneemann, Vito Acconci
58,00
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De(s)faire – #1 à #5
14,00
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A Hand’s Turn
23,00
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Meredith Monk
10,00
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Happenings & Events – Tulane Drama Review – vol. 10, nº 2, Hiver 1965
26,00
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Paroles en Corps – danser au-delà des apparences
25,00
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Partition(s)–Objets et concepts des pratiques scéniques (20e et 21e siècle)
33,00
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Pratiques Performatives / Corps Critiques #1-10 (2007 – 2016)
28,00
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Relâche – Dernier coup d’éclat des Ballets suédois
32,00
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Art performance, manœuvre, coefficients de visibilité
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Christophe
4,00
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Critique d’art n°52 – printemps/été 2019
16,00
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Danser, résister
35,00
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Ex-corpo
18,00
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Choreographing Problems: Expressive Concepts in European Contemporary Dance and Performance
54,00
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Crossing Lines – Contact Areas of Art
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Exercises for Rebel Artists – Radical Performance Pedagogy
31,00
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Happenings and Other Acts
36,00
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Is the Living Body the Last Thing Left Alive? The New Performance Turn, Its Histories and Its Institutions
39,00
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Live Art in L.A
35,00
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Marina Abramovic – The Cleaner
48,00
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Moving (Across) Borders – Performing Translation, Intervention, Participation
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Perception Frames – choreographic scores for practice and performance
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Performed Ethnography and Communication – Improvisation and Embodied Experience
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Performing Image
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RTRSRCH Vol. 2 No. 2 – Notation
8,00
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JERK – Through their tears
29,00
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JERK – A travers leurs larmes
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Singularities – Dance in the Age of Performance
41,00
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Spacescapes – Dance & Drawing since 1962
20,00
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The Politics of Interweaving Performance Cultures – Beyond Postcolonialism
40,00
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Words for the Future – Eco-Swaraj
7,50
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CANCER CANCER CANCER CANCER CANCER
20,00
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William Forsythe – The Fact of Matter
48,00
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Parachute – The Anthology (vol. 2) – Performance & Performativity
20,00
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Unpacking Performativity – An exciting two-year research journey in dance
29,00
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DISCORDO ERGO SUM – Renate Bertlmann
15,00
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Donna Huanca – Piedra Quemada
29,00
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Margret Wibmer – Relay
24,00
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Traces in Sight
20,00
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Robert Morris – The Perceiving Body
27,00
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Performance Works
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Papier incomestible
12,50
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Black Performance Theory
29,00
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The Grand Union – Accidental Anarchists of Downtown Dance, 1970-1976
28,00
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¡Presente! – The Politics of Presence
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Yoko Ono – Liberté Conquérante. Growing Freedom.
25,00
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Perspective 2020-2 Danser
25,00
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Paperboard. La conférence performance : artistes et cas d’étude
25,00
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Body and Performance
18,00
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Uncollected Texts
18,50
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Gómez-Peña Unplugged – Texts on Live Art, Social Practice and Imaginary Activism (2008–2020)
31,00
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Performing Mourning – Laments in Contemporary Art
25,85
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La Pocha Nostra – A Handbook for the Rebel Artist in a Post-Democratic Society
37,00
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“If It’s For The People, It Needs To Be Beautiful,” She Said
25,00
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Where do you draw the line between art and politics
15,00
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Inter n° 137 – Pratiques du silence, du son et de l’oralité
15,00
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