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39 Microlectures – in proximity of performance
30,00
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591 – Spécial performance
18,00
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A Body in Fukushima
35,00
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A Hand’s Turn
23,00
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A Widening Field: journeys in body and imagination
29,00
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ABECEDARIUM BESTIARIUM – Portraits of affinities in animal metaphors
19,00
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Alternative Histories – New York Art Spaces, 1960-2010
42,00
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Anatomie du Tomason
26,00
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Anita Berber – Studie
10,00
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Another Ghost Party
34,00
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Appendix #1 – The gesture of writing
15,00
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Appendix #4 – Translation / Appendice #4 – Traduction
15,00
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Archaeologies of Presence – Art, Performance and the Persistence of Being
35,00
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Art performance, manœuvre, coefficients de visibilité
20,00
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Artificial Hells: Participatory Art and the Politics of Spectatorship
32,00
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Artist at Work, Proximity of Art and Capitalism
21,00
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Artist, Audeience, Accomplice
27,00
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Assign & Arrange – Methodologies of Presentation in Art and Dance
19,00
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Being Watched: Yvonne Rainer and the 1960s
23,00
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Between Zones/Zwischenzonen
32,00
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Bewegungen zwischen Hören und Sehen – Denkbewegungen über Bewegungskünste
49,80
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Big Tail Elephant – Build and Resist
35,00
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Biographical Landscapes of New Zagreb
12,00
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Black Hyperbox
16,00
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Black Performance Theory
29,00
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Body and Performance
18,00
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CANCER CANCER CANCER CANCER CANCER
20,00
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Charlemagne Palestine – Gesammttkkunnstt MeshuggahhLaandttttt
24,00
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Choreographing Problems: Expressive Concepts in European Contemporary Dance and Performance
54,00
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Christophe
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Concordan(s)e 4
10,00
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Corps endormis corps affranchis
20,00
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Critique d’art n°47 – automne/hiver 2016
16,00
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Critique d’art n°52 – printemps/été 2019
16,00
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CritiQueer la danse – Réceptions performées & critiques affectées
24,00
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Crossing Lines – Contact Areas of Art
24,90
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Danser, résister
35,00
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De(s)faire – #1 à #5
14,00
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Démosthène Agrafiotis – Prolégomènes à une histoire de la performance en Grèce
24,00
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Des Corps compétents (Sportifs, Artistes, Burlesques)
14,00
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DISCORDO ERGO SUM – Renate Bertlmann
15,00
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Donna Huanca – Piedra Quemada
29,00
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En forêt
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Encounters – Embodied Practices
21,00
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Entretien avec Esther Ferrer
15,00
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Esther Ferrer. Todas las variaciones son válidas, incluida esta
40,00
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Ex-corpo
18,00
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Exercises for Rebel Artists – Radical Performance Pedagogy
31,00
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Exhausting Dance: Performance and the Politics of Movement
35,00
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False hours
12,00
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Feminine Futures – Valentine de Saint-Point
48,00
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Femmes, attitudes performatives, aux lisières de la performance et de la danse
19,00
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Figé, émoussé, la tête vide
30,00
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Gerard & Kelly – Ruins
27,00
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Gestes en éclats – Art, danse et performance
28,00
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Gleaners and the Worms, or: Bookworms and the Worm-book
8,00
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Gómez-Peña Unplugged – Texts on Live Art, Social Practice and Imaginary Activism (2008–2020)
31,00
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Happenings & Events – Tulane Drama Review – vol. 10, nº 2, Hiver 1965
26,00
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Happenings and Other Acts
36,00
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Hélio Oiticica – Parangolé – Between Revolt and Poetry
27,00
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Holes Dug, Rocks Thrown – Line Skywalker Karlström’s Works Through the Prism of Queer and Feminist Art Practices
25,00
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How to Collaborate? – Questioning Togetherness in the Performing Arts
18,00
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How to Die – Inopiné
28,00
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I am a Ghost in My Own House
29,00
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II Magazine Issue #0 – performance and publishing
35,00
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Impasse
16,00
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In octavo – Des formats de l’art
24,00
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Inter n° 137 – Pratiques du silence, du son et de l’oralité
15,00
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Interviewer la performance
25,00
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Is the Living Body the Last Thing Left Alive? The New Performance Turn, Its Histories and Its Institutions
39,00
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Je suis sur le sol de la chambre
13,00
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Je vomis du nez, le sang bleu de la nuit
12,00
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JERK – Through their tears
29,00
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JERK – A travers leurs larmes
29,00
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L’architecture selon Gordon Matta-Clark
26,00
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La performance – Vie de l’archive et actualité
19,00
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La performance, encore
25,00
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La Pocha Nostra – A Handbook for the Rebel Artist in a Post-Democratic Society
37,00
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La Ribot
19,00
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Le temps que nous partageons – Réflexions à travers le spectacle vivant
45,00
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