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Is the Living Body the Last Thing Left Alive? The New Performance Turn, Its Histories and Its Institutions
39,00
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Happenings and Other Acts
36,00
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Exercises for Rebel Artists – Radical Performance Pedagogy
31,00
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Crossing Lines – Contact Areas of Art
24,90
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Choreographing Problems: Expressive Concepts in European Contemporary Dance and Performance
54,00
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Ex-corpo
18,00
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Danser, résister
35,00
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Critique d’art n°52 – printemps/été 2019
16,00
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Christophe
4,00
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Art performance, manœuvre, coefficients de visibilité
20,00
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Relâche – Dernier coup d’éclat des Ballets suédois
32,00
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Pratiques Performatives / Corps Critiques #1-10 (2007 – 2016)
28,00
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Partition(s)–Objets et concepts des pratiques scéniques (20e et 21e siècle)
33,00
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Paroles en Corps – danser au-delà des apparences
25,00
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Happenings & Events – Tulane Drama Review – vol. 10, nº 2, Hiver 1965
26,00
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Meredith Monk
10,00
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A Hand’s Turn
23,00
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De(s)faire – #1 à #5
14,00
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The Concrete Body – Yvonne Rainer, Carolee Schneemann, Vito Acconci
58,00
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Performed Imaginaries
35,00
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Performance Studies: An Introduction
46,00
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material / rearranged / to / be
14,00
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How to Collaborate? – Questioning Togetherness in the Performing Arts
18,00
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Sarah Michelson
29,00
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Anita Berber – Studie
10,00
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Critique d’art n°47 – automne/hiver 2016
16,00
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Superamas – BIG 3 EPISODES (art discourse)
28,00
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Walk, Hands, Eyes (a city)
20,00
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La performance, encore
25,00
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Being Watched: Yvonne Rainer and the 1960s
23,00
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Artist at Work, Proximity of Art and Capitalism
21,00
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Archaeologies of Presence – Art, Performance and the Persistence of Being
35,00
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39 Microlectures – in proximity of performance
30,00
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WILHELM GROENER – aber auch 2013-2015
8,95
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Poetik des zeitgenössischen Tanzes
29,80
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Concordan(s)e 4
10,00
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The Time We Share – Reflecting on and through Performing Arts
45,00
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Le temps que nous partageons – Réflexions à travers le spectacle vivant
45,00
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Recréer / scripter
29,00
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Between Zones/Zwischenzonen
32,00
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