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Variations VII by John Cage
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Open Score by Robert Rauschenberg (1966)
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La performance, encore
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Paroles en Corps – danser au-delà des apparences
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Performance Works
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Yoko Ono – Liberté Conquérante. Growing Freedom.
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Paperboard. La conférence performance : artistes et cas d’étude
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Perspective 2020-2 Danser
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“If It’s For The People, It Needs To Be Beautiful,” She Said
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News Animations
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Holes Dug, Rocks Thrown – Line Skywalker Karlström’s Works Through the Prism of Queer and Feminist Art Practices
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Performance: Positionen zur zeitgenössischen szenischen Kunst
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Performing Mourning – Laments in Contemporary Art
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Happenings & Events – Tulane Drama Review – vol. 10, nº 2, Hiver 1965
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L’architecture selon Gordon Matta-Clark
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Un ennui radical – Yvonne Rainer, danse et cinéma
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Anatomie du Tomason
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Worlding Dance
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Robert Morris – The Perceiving Body
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Reading in Performance, Lire en Spectacle – The solitude or reading merged with the collective nature of an audience
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Gerard & Kelly – Ruins
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Hélio Oiticica – Parangolé – Between Revolt and Poetry
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Artist, Audeience, Accomplice
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Robert Morris
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Gestes en éclats – Art, danse et performance
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Superamas – BIG 3 EPISODES (art discourse)
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Pratiques Performatives / Corps Critiques #1-10 (2007 – 2016)
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The Grand Union – Accidental Anarchists of Downtown Dance, 1970-1976
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How to Die – Inopiné
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Recréer / scripter
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A Widening Field: journeys in body and imagination
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Sarah Michelson
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Unpacking Performativity – An exciting two-year research journey in dance
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Donna Huanca – Piedra Quemada
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Black Performance Theory
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JERK – Through their tears
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JERK – A travers leurs larmes
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I am a Ghost in My Own House
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Poetik des zeitgenössischen Tanzes
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On va où, là?
30,00
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