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Parables for the Virtual – Movement, Affect, Sensation
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39 Microlectures – in proximity of performance
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Anna Halprin: Experience as Dance
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Steve Paxton – Drafting Interior Techniques
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Love, Icebox – Letters from John Cage to Merce Cunningham
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Dancing Deeper Still – The Practice of Contact Improvisation
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Sweets, Quilts, Sun, Works
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The Choreographic
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Thought in the Act – Passages in the Ecology of Experience
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Contact Improvisation at 36
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Paulo Nimer Pjota
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¡Presente! – The Politics of Presence
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Drumming
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Andrea Geyer: Dance in a Future with All Present
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For a Pragmatics of the Useless
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Back to the Dance Itself – Phenomenologies of the Body in Performance
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Walking from Scores
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Exploring Body-Mind Centering – An Anthology of Experience and Method
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Remembering a Dance – Part of Some Sextets 1965/2019
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On Site – Methods for Site-Specific Performance Creation
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Moving Between Worlds – A Guide to Embodied Living and Communicating
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Symmetry, Alibis & Intuition: An Inventory of Choreographic Choices
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Movement Notation
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Black Chapel – Theaster gates
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The Body and Everyday Life
31,00
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Attending to Movement – Somatic Perspectives on Living in this World
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British Dance: Black Routes
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Black and Blur
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Exercises for Rebel Artists – Radical Performance Pedagogy
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Flowers Cracking Concrete – Eiko & Koma’s Asian/American Choreographies
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Gómez-Peña Unplugged – Texts on Live Art, Social Practice and Imaginary Activism (2008–2020)
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Being Alive – Essays on Movement, Knowledge and Description
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The dream of the audience – Danspace Project’s Platform 2021-2022
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Yvonne Rainer – Moving And Being Moved
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Bauhaus Construct – Fashioning Identity, Discourse and Modernism
32,00
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Between Zones/Zwischenzonen
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Anna Halprin, Dancing Life / Danser la vie
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Artificial Hells: Participatory Art and the Politics of Spectatorship
32,00
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BodyStories: A Guide to Experiential Anatomy
32,00
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Lost & Found: Dance, New York, HIV/AIDS, Then and Now
32,00
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