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Movement Notation
30,00
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The Body and Everyday Life
31,00
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Attending to Movement – Somatic Perspectives on Living in this World
31,00
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British Dance: Black Routes
31,00
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Black and Blur
31,00
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Exercises for Rebel Artists – Radical Performance Pedagogy
31,00
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Flowers Cracking Concrete – Eiko & Koma’s Asian/American Choreographies
31,00
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Performed Ethnography and Communication – Improvisation and Embodied Experience
31,00
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Being Alive – Essays on Movement, Knowledge and Description
31,00
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Let’s Become Fungal! – Mycelium Teachings and the Arts
31,00
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Yvonne Rainer – Moving And Being Moved
31,60
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Bauhaus Construct – Fashioning Identity, Discourse and Modernism
32,00
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Between Zones/Zwischenzonen
32,00
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Anna Halprin, Dancing Life / Danser la vie
32,00
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Artificial Hells: Participatory Art and the Politics of Spectatorship
32,00
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BodyStories: A Guide to Experiential Anatomy
32,00
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Lost & Found: Dance, New York, HIV/AIDS, Then and Now
32,00
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Dancers as Diplomats – American Choreography in Cultural Exchange
32,00
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Performing Image
32,00
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Couplets – Travels in Speculative Pragmatism
32,00
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Noa & Snow
32,00
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The Art of Performance – 25 Conversations
32,00
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Topless Cellist – The Improbable Life of Charlotte Moorman
33,00
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The Male Dancer: Bodies, Spectacle and Sexuality
33,00
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Dance Discourses: Keywords in Dance Research
33,00
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Contemporary Circus
33,00
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Engaging Bodies
33,00
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Choreography, Visual Art and Experimental Composition 1950s–1970s
33,00
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Imagining for Real – Essays on Creation, Attention and Correspondence
33,00
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The Artist Job Description, for the Employment of the Artist, as an Artist, Inside the Art Institution
33,00
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The Perception of the Environment – Essays on Livelihood, Dwelling and Skill
33,00
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Denkfiguren – Performatives zwischen Bewegen, Schreiben und Erfinden : Für Claudia Jeschke
34,00
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Social Works – Performing Art, Supporting Publics
34,00
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Action in Perception
34,00
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Body and Earth: An Experiential Guide
34,00
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Yes? No! Maybe Seductive Ambiguity in Dance
34,00
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Transmission in Motion – The Technologizing of Dance
34,00
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Going Out – Walking, Listening, Soundmaking
34,00
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Another Ghost Party
34,00
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Are we here yet?
35,00
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Continuous Replay – The Photographs of Arnie Zane
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Archaeologies of Presence – Art, Performance and the Persistence of Being
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Performed Imaginaries
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Dance, Modernism, and Modernity
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Film’s Ghosts – Tatsumi Hijikata’s Butoh and the Transmutation of 1960s Japan
35,00
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Live Art in L.A
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Moving (Across) Borders – Performing Translation, Intervention, Participation
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Sharon Lockhart | Noa Eshkol
35,00
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Stella Geppert – Scores and Sculpture
35,00
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Traces of Dance – Drawings and Notations of Choreographers
35,00
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Trisha Brown – Choreography as Visual Art
35,00
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Valuing Dance – Commodities and Gifts in Motion
35,00
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Quantum Society
35,00
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A Body in Fukushima
35,00
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How to Land – Finding Ground in an Unstable World
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Thinking With – Jean-Luc Nancy
35,00
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Big Tail Elephant – Build and Resist
35,00
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II Magazine Issue #0 – performance and publishing
35,00
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Merce Cunningham: The Modernizing of Modern Dance
36,00
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Alien Bodies: Representations of Modernity, ‘Race’ and Nation in Early Modern Dance
36,00
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Choreographing Discourses – A Mark Franko Reader
36,00
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Happenings and Other Acts
36,00
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Poetics of Dance – Body, Image, and Space in the Historical Avant-Gardes
36,00
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Researching War – Feminist Methods, Ethics and Politics
36,00
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Performing Remains – Art and War in Times of Theatrical Reenactment
36,00
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Ismael Ivo – I Believe in the Body
36,00
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Contemporary African Dance Deconstructed
36,00
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Conversing with Cage
37,00
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The Scar of Visibility: Medical Performances and Contemporary Art
37,00
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The Transformative Power of Performance: A new aesthetics
37,00
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Soft Is Fast – Simone Forti in the 1960s and After
37,00
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Dance and Organisation – Integrating Dance Theory and Methods into the Study of Management
37,00
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The Natural Body in Somatics Dance Training
37,00
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Yvonne Rainer: Work 1961-73
37,00
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La Pocha Nostra – A Handbook for the Rebel Artist in a Post-Democratic Society
37,00
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Move. Choreographing You – Art and Dance Since the 1960s
38,00
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Sacré 101 – An Anthology on “The Rite of Spring”
38,00
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Choreographies of 21st Century Wars
38,00
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The Pina Bausch Sourcebook – The Making of Tanztheater
38,00
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Dance Theory – Source Readings from Two Millennia of Western Dance
38,00
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Dance and the Specific Image – Improvisation
38,00
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Character
38,00
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Site-Specific Art: Performance, Place and Documentation
39,00
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Suspense – William Forsythe
39,00
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The Thinking Body
39,00
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Renate quitte le pays
39,00
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Dance as Text- Ideologies of the Baroque Body
39,00
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Is the Living Body the Last Thing Left Alive? The New Performance Turn, Its Histories and Its Institutions
39,00
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Judson Dance Theater – The Work Is Never Done
39,00
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Alain Buffard, Good Boy
39,00
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Architectures of the Unforeseen – Essays in the Occurrent Arts
39,00
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Plant-Thinking A Philosophy of Vegetal Life
39,00
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Yayoi Kusama – The Dutch years 1960–70
39,90
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Choreographing Empathy – Kinesthesia in Performance
40,00
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Artistic Citizenship – a Public Voice for the Arts
40,00
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Merce Cunningham Dance Company: Split Sides
40,00
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TRISHA BROWN: 1966-1979
40,00
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Contact Improvisation and Body-Mind Centering
40,00
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CQ/CI25th Anniversary Sourcebook
40,00
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CQ/CI Sourcebook Volume 2, 1992–2007
40,00
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Charles Atlas
40,00
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CQ/CI Sourcebook Volume 3, 2008-2018
40,00
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French Moves – The Cultural Politics of le hip hop
40,00
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Judson Now
40,00
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The Politics of Interweaving Performance Cultures – Beyond Postcolonialism
40,00
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Kazuo Ohno’s world: from without & within
41,00
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Making Video Dance
41,00
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Singularities – Dance in the Age of Performance
41,00
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Sol LeWitt – Structures, 1965-2006
41,00
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Dancing Across Borders – Perspectives on Dance, Young People and Change
41,00
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Politics as Public Art – The Aesthetics of Political Organizing and Social Movements
41,00
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Alternative Histories – New York Art Spaces, 1960-2010
42,00
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Radical Bodies
42,00
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Ally
42,00
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Queer Dance – Meanings & Makings
54,00
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Beyond Speech Pornography and Analytic Feminist Philosophy
43,00
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Dancers, Buildings and People in the Streets
44,00
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Willi Dorner – Bodies in Urban Spaces
44,00
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Feelings are facts: A Life
44,00
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One Dead at the Paris Opera Ballet – La Source 1866-2014
44,00
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