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Paulo Nimer Pjota
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Rejouer le vivant – Les reenactments, des pratiques culturelles et artistiques (in)actuelles
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¡Presente! – The Politics of Presence
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Drumming
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Andrea Geyer: Dance in a Future with All Present
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Manuel d’émersiologie – Apprends le langage du corps
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For a Pragmatics of the Useless
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Back to the Dance Itself – Phenomenologies of the Body in Performance
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Walking from Scores
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Carnet de salles – Écrits pour la danse
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Exploring Body-Mind Centering – An Anthology of Experience and Method
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Remembering a Dance – Part of Some Sextets 1965/2019
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On Site – Methods for Site-Specific Performance Creation
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Moving Between Worlds – A Guide to Embodied Living and Communicating
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Symmetry, Alibis & Intuition: An Inventory of Choreographic Choices
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Movement Notation
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Apprendre à voir – Le point de vue du vivant
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Black Chapel – Theaster gates
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La part de l’œil nr. 24 – Ce qui fait danse : de la plasticité à la performance
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The Body and Everyday Life
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Attending to Movement – Somatic Perspectives on Living in this World
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British Dance: Black Routes
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Black and Blur
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Exercises for Rebel Artists – Radical Performance Pedagogy
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Flowers Cracking Concrete – Eiko & Koma’s Asian/American Choreographies
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Nouvelle Histoire de la danse en Occident – De la Préhistoire à nos jours
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Gómez-Peña Unplugged – Texts on Live Art, Social Practice and Imaginary Activism (2008–2020)
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Being Alive – Essays on Movement, Knowledge and Description
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Le bien être
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The dream of the audience – Danspace Project’s Platform 2021-2022
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Yvonne Rainer – Moving And Being Moved
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La partition chorégraphique: outil de transmission, outil d’exploration
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Bauhaus Construct – Fashioning Identity, Discourse and Modernism
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Between Zones/Zwischenzonen
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Anna Halprin, Dancing Life / Danser la vie
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Artificial Hells: Participatory Art and the Politics of Spectatorship
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BodyStories: A Guide to Experiential Anatomy
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Le désœuvrement chorégraphique – Étude sur la notion d’Œuvre en danse
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Lost & Found: Dance, New York, HIV/AIDS, Then and Now
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Gestualités/Textualités en danse contemporaine
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