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Qui parle ? (pour les non-humains)
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Reclaim : Anthologie de textes écoféministes
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Reflections on improvisation, choreography and risk-taking in advanced capitalism
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Remembering a Dance – Part of Some Sextets 1965/2019
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Researching War – Feminist Methods, Ethics and Politics
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Rétrospective par Xavier Le Roy
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Réveiller les esprits de la terre
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Scènes en partage – L’être ensemble dans les arts performatifs
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Si loin, si proche – Cartographie, technologie et politique
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Singularities – Dance in the Age of Performance
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Site-Specific Art: Performance, Place and Documentation
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Slow – Désir et désillusion
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Soft Is Fast – Simone Forti in the 1960s and After
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Spectacle vivant et neurosciences
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Spectatrices ! – De l’Antiquité à nos jours
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Stolen Life
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Suomenlinna // Gropius – Two contemplations on Body, Movement and Intermateriality
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Tanz & WahnSinn / Dance & ChoreoMania
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Teaching Art in the Neoliberal Realm – Realism versus Cynicism
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The ‘Female’ Dancer – a soma-scientific approach
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The Aesthetics of Ambiguity – Understanding and Addressing Monoculture
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The Artist Job Description, for the Employment of the Artist, as an Artist, Inside the Art Institution
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The Artist’s Novel – Part 1 – A New Medium
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The Body and Everyday Life
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The Choreographic
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The Concrete Body – Yvonne Rainer, Carolee Schneemann, Vito Acconci
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The Ethics of Art – Ecological Turns in the Performing Arts
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The Future of the New – Artistic Innovation in Times of Social Acceleration
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The Male Dancer: Bodies, Spectacle and Sexuality
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The Mind–Body Problem
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The Minor Gesture
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The Natural Body in Somatics Dance Training
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