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Bauhaus Construct – Fashioning Identity, Discourse and Modernism
32,00
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Artificial Hells: Participatory Art and the Politics of Spectatorship
32,00
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Le désœuvrement chorégraphique – Étude sur la notion d’Œuvre en danse
32,00
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Dancers as Diplomats – American Choreography in Cultural Exchange
32,00
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Performing Image
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Couplets – Travels in Speculative Pragmatism
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Mon corps a-t-il un sexe ? – Sur le genre, dialogues entre biologies et sciences sociales
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Lieux et milieux des arts vivants – Performer l’institution
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The Male Dancer: Bodies, Spectacle and Sexuality
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Partition(s)–Objets et concepts des pratiques scéniques (20e et 21e siècle)
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Contemporary Circus
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Engaging Bodies
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Imagining for Real – Essays on Creation, Attention and Correspondence
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The Artist Job Description, for the Employment of the Artist, as an Artist, Inside the Art Institution
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The Perception of the Environment – Essays on Livelihood, Dwelling and Skill
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Entre pratiques de corps et gestes créatifs – Les chœurs de mouvements Laban (Allemagne, 1923-1936)
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Denkfiguren – Performatives zwischen Bewegen, Schreiben und Erfinden : Für Claudia Jeschke
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Social Works – Performing Art, Supporting Publics
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Action in Perception
34,00
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Yes? No! Maybe Seductive Ambiguity in Dance
34,00
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Transmission in Motion – The Technologizing of Dance
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Performed Ethnography and Communication – Improvisation and Embodied Experience
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Choreography, Visual Art and Experimental Composition 1950s–1970s
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Meeting the Universe Halfway – Quantum Physics and the Entanglement of Matter and Meaning
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The ‘Female’ Dancer – a soma-scientific approach
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Writing Choreography – Textualities of and beyond Dance
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Körper als Archiv in Bewegung – Choreografie als historiografische Praxis
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Choreografische Praxis – Vermittlung in Tanzkunst und Kultureller Bildung
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Exhausting Dance: Performance and the Politics of Movement
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Archaeologies of Presence – Art, Performance and the Persistence of Being
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Dance, Modernism, and Modernity
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Film’s Ghosts – Tatsumi Hijikata’s Butoh and the Transmutation of 1960s Japan
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Live Art in L.A
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Moving (Across) Borders – Performing Translation, Intervention, Participation
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Valuing Dance – Commodities and Gifts in Motion
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How to Land – Finding Ground in an Unstable World
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Thinking With – Jean-Luc Nancy
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Poetics of Dance – Body, Image, and Space in the Historical Avant-Gardes
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Researching War – Feminist Methods, Ethics and Politics
36,00
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Performing Remains – Art and War in Times of Theatrical Reenactment
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